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The Arts of War consists of two statue groups, Valor and Sacrifice. Both are in a style of Art Deco known as "Delayed Deco". Facing Arlington Memorial Bridge from the District of Columbia, Valor is on the left and Sacrifice is on the right.
No state has more Confederate monuments to revere or revile than the commonwealth of Virginia. In Richmond, the capital, there's a contentious debate about what to do about five prominent Confederate statues on Monument Avenue. Julian Hayter: All these years later, the Civil War, in many ways, is still contested ground. This is contested ground.
Confederate monuments would not exist in such large numbers without mass production, which, in the wake of the Civil War, took place more often in the North than in the South.
E.M. Viquesney’s the Spirit of the American Doughboy memorial features a single man, dressed in a World War I army uniform, complete with a hat. He raises his right fist, which holds a grenade, toward the sky triumphantly, proclaiming victory.
His father, Silas Mosman, ran the Ames Manufacturing Company's bronze foundry. The foundry made statues and monuments, including the statue of Benjamin Franklin at Old City Hall and the bronze doors for the east wing of the United States Capitol. The Mosman family had been involved in metal work since they arrived in Massachusetts in 1632.
Marketed as superior to stone in terms of durability, their products were referred to as "white bronze." They included thousands of markers (Figs. 1, 2), custom-made effigies of the dead, off-the-shelf statues of Faith, Hope, and Charity, and enormous Civil War memorials crowned by statues of soldiers (Fig. 3).
This one, by Allen G. Newman (1875–1940), was copyrighted by the sculptor in 1904 and for a time served as the official monument of the United Spanish War Veterans (USWV), one of the organizations that that sponsored the Tompkinsville Park monument.